Showing posts with label Jennifer Lawrence. Show all posts
Showing posts with label Jennifer Lawrence. Show all posts

Thursday, January 14, 2016

It's an Honor Just to Be Nominated...

It's that time of year again when I get into heated arguments with co-workers, screaming matches with bar patrons that end with, "Go read Variety!", and scorched-earth Facebook comment wars with film fans. No, it's not the 2016 Presidential race, it's the Oscars and I have endless opinions about it.

And here they are: 

Best Picture
The Big Short
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight


My guess this year is that The Revenant is going to do some sweepage. There's been lots of critical love for Mad Max, but it's just not the kind of movie that usually grabs the trophy. If I haven't nodded off into my cocktail, having overdosed on Cadillac commercials and movie trailers- perhaps there will be a surprise at the end of the Oscars telecast.

Snubbed- Inside Out, The Hateful 8, Carol, and Star Wars: The Force Awakens (if the first one got nominated, why not this one?)

Best Actor
Bryan Cranston- Trumbo
Matt Damon- The Martian
Leonardo DiCaprio- The Revenant
Michael Fassbender- Steve Jobs
Eddie Redmayne- The Danish Girl

Leo should probably clear off a shelf for his first Oscar. He's a big movie star who went through physical torture for this film- and Hollywood loves when  actors suffer for a role. Watch out for the well-loved Matt Damon for anchoring Castaway in space.

Best Actress
Cate Blanchett- Carol
Brie Larson- Room
Jennifer Lawrence- Joy
Charlotte Rampling- 45 Years
Saoirse Ronan- Brooklyn

This is a great category. These ladies are all top-notch actresses- and yes, I think JLaw is a good actress. Loved her in American Hustle (2013). But don't look for Joy to generate any love. Brie Larson has all the buzz and this category loves a first-time, younger recipient. Cate could steal it- but since she gets nominated for opening her front door- it's likely she'll be in this category again real soon.

Best Supporting Actor
Christian Bale- The Big Short
Tom Hardy- The Revenant
Mark Ruffalo- Spotlight
Mark Rylance- Bridge of Spies
Sylvester Stallone- Creed


This category is also chocked full o' talent. My vote is for Tom Hardy because he has been working his well-toned ass off all year in Revenant, Mad Max, and Legend where he plays twins. He has publicly flipped the bird to winning the Oscar, but Brando and Kate Hepburn both stuck their tongues out at the honor and they both won multiple times. Ruffalo and Rylance are acting powerhouses who have probably earned this award many times over so there's a chance for them. Stallone might have some nostalgic support- but he already got all the Oscar gold he deserved from the Rocky franchise the first time out. Rocky beat Network! No Justice, No Peace!

Best Supporting Actress
Jennifer Jason Leigh- The Hateful Eight
Rooney Mara- Carol
Rachel McAdams- Spotlight
Alicia Vikander- The Danish Girl
Kate Winslet- Steve Jobs

Will Kate add to her statuette collection? Will Rooney get to homebase on her second date with Oscar? Hard to say.

Best Directing
Adam McKay- The Big Short
George Miller- Mad Max: Fury Road
Alejandro González Iñárritu- The Revenant
Lenny Abrahamson- Room
Tom McCarthy- Spotlight

Inarritu was last year's Oscar darling, so why should this year be any different? It's a good bet that the name the presenter calls out will be his... and that they will stumble all over themselves pronouncing it. Miller or McCarthy might slip in if there's an upset.

Snubbed- Todd Haynes- A brilliant auteur. He makes movies you want to watch on the big screen. Same could be said for Tarantino, but it looks like he's pissed-off everybody this year.

Best Original Score
Thomas Newman- Bridge of Spies
Carter Burwell- Carol
Ennio Morricone- The Hateful Eight
Jóhann Jóhannsson- Sicario
John Williams- Star Wars: The Force Awakens

This is a musical clash of the titans! It's Morricone vs. Williams. Williams won an Oscar for his first Star Wars score and the new one is beautifully evocative of that masterpiece. But Morricone has been cranking out some of the most beautiful film scores since the sixties and doesn't have a competitive statuette. (He was given an honorary award in 2007.) Give it to him. Give it to him before he dies.

Trivia- Thomas Newman (The Shawshank Redemption (1994), American Beauty (1999), Skyfall (2012)) has movie scoring in his genes. He's the cousin of folksy composer Randy Newman (Ragtime (1981), The Natural (1984), Toy Story (1995)) and the son of legendary studio composer Alfred Newman (All About Eve (1950), The Seven Year Itch (1955), Leave Her to Heaven (1945)).

Best Adapted Screenplay
The Big Short- Charles Randolph and Adam McKay
Brooklyn- Nick Hornby
Carol- Phyllis Nagy
The Martian- Drew Goddard
Room- Emma Donoghue

I'm leaning towards Carol on this one because the source material written by Patricia Highsmith is revered for its lesbian sexual rebellion. The Martian or Room could slip in for ingenuity.

Best Original Screenplay
Bridge of Spies- Matt Charman and Ethan Coen & Joel Coen
Ex Machina- Alex Garland
Inside Out- Pete Docter, Meg LeFauve, Josh Cooley; Original story by Pete Docter, Ronnie del Carmen
Spotlight- Josh Singer and Tom McCarthy
Straight Outta Compton- Screenplay by Jonathan Herman and Andrea Berloff; Story by S. Leigh Savidge, Alan Wenkus and Andrea Berloff

I like Inside Out because the script is wonderfully imaginative- but Spotlight is more likely to win because it deals with the Catholic church molestation scandal which is up there with Holocaust dramas for Oscar love.

Best Animated Feature Film
Anomalisa- Charlie Kaufman, Duke Johnson and Rosa Tran
Boy and the World- Alê Abreu
Inside Out- Pete Docter and Jonas Rivera
Shaun the Sheep Movie- Mark Burton and Richard Starzak
When Marnie Was There- Hiromasa Yonebayashi and Yoshiaki Nishimura

Inside Out. Next?

Best Documentary – Feature
Amy- Asif Kapadia and James Gay-Rees
Cartel Land- Matthew Heineman and Tom Yellin
The Look of Silence- Joshua Oppenheimer and Signe Byrge Sørensen
What Happened, Miss Simone?- Liz Garbus, Amy Hobby and Justin Wilkes
Winter on Fire: Ukraine's Fight for Freedom- Evgeny Afineevsky and Den Tolmor


Amy's going to nab this one. Miss Simone was really wonderful, but Amy was more fucked-up than Nina- and nobody really wants to give Netflix an Oscar.

Snubbed- Meru, Listen to Me Marlon, and He Named Me Malala. How awesome would it have been to see Malala go up and accept the Oscar? I mean- Amy Winehouse won't be at the ceremony.

Well, that's what I think, folks.

What do you think?


Monday, January 11, 2016

The Golden Globs

I am not a fan of The Golden Globes. Started in 1944 by the Hollywood Foreign Press Association, the awards ceremony was originally a big party that allowed Hollywood to let its hair down (read- get wasted) without intense scrutiny. Awards tended to go to those who played nice and did interviews for the various foreign publications that made up the group. The list of winners is impressive- often going to a performer or movie that was also up for the more coveted Academy Award- but the two awards shows do not always agree on the winners.

One of the oddest differences between the two shows is the strangeness of the Golden Globes lumping musicals and comedies together in the same category, resulting in head-to-head competitions like 1976's cagematch between A Star is Born and The Pink Panther Strikes Back.  And if they split the Best Actors and Actresses up by category- why not the Best Supporting awards? Do supporting actors and actresses in comedies and musicals deserve any less love? Also, Twiggy and Madonna have Golden Globes- so there's that.

The Golden Globes is not quite the Oscars and not quite the Emmys- so what is it? It's NBC's attempt to market an awards show that is not quite the Oscars (ABC), not quite the Emmys (Fox), and definitely not the Tonys (CBS). It also gives NBC child channel E! Entertainment Television yet another opportunity to trot out some obnoxious talking heads and insipidly grinning co-hosts to peck at the fashion sense of the nominees.

But let's take a look at what the globes got right for the movie categories this year:

Best Motion Picture, Drama- The Revenant
Can't wait to see this! Does Tom Hardy get naked in it?

Best Actor in a Motion Picture, Drama- Leonardo DiCaprio- The Revenant
Leo was perhaps a little too dedicated to this role, making some grisly acting choices in the wilderness. Personally, I think he's never been better than his early role in What's Eating Gilbert Grape? (1994). Perhaps The Revenant will change my mind...

Best Director- Alejandro Gonzalez Inarritu- The Revenant
Polish up that Oscar now Aly!

Best Animated Film- Inside Out
Done and done. I give the Golden Globe for best animated character to Bing Bong.



Best Original Score, Motion Picture- Ennio Morricone- The Hateful Eight
Morricone is a legend. Give him every award possible before he dies,

Best Actress in a Motion Picture, Drama- Brie Larson- The Room
I hear she's amazing in this role. This will be a tight category for the Oscars.

Best Supporting Actress- Kate Winslet- Jobs
What award doesn't Kate win?

Now let's take a look at what the Globes got wrong, wrong, wrong:

Best Actor in a Motion Picture, Musical or Comedy- Matt Damon- The Martian
The Martian is not a comedy. I mean you might laugh once or twice, but what about attempting to rescue an astronaut trapped on Mars is funny?

Best Motion Picture, Musical or Comedy- The Martian
It's not a comedy!!! Or a musical!!!


Best Original Song- Sam Smith- "Writing's on the Wall"- Spectre
I know Bond themes. I love Bond themes. This song is no Bond theme.

Best Actress in a Motion Picture, Musical or Comedy- Jennifer Lawrence- Joy
The Golden Globes have been known to court popular actresses by giving them a Globe in the hopes that they will give lots of interviews for their member publications- or at the very least increase sales of said publications by writing about the fact that a popular actress has won a Golden Globe.
Sorry, JLaw. Critics everywhere have been pissing on Joy and not because it's on fire. I'll hold my opinion until I see it... when it comes out on Netflix.

So, what did you think of the Golden Globes?